Bagley gives a concrete model for thinking about the production of almost any kind of art (Max Loehr, pp. 118-20). What are the elements of his model? Is it applicable to art made in any time of human history? How do artists get their training? Where do they get their ideas and how do they carry them out? Remember the quilters from this week’s reading.I will attach the reading Bagley, Max Loehr, pp. 98-120.